REVIEWED BY:
OVERALL SCORE:
Author: Various
Publisher: Torquere Press
REVIEW:
‘The Law of the Jungle’ by Sean Michael
Spanish pirate Marco discovers that his crew have given him a gift – a ferocious black panther in a cage. Marco is fascinated with the animal, but when it escapes from its cage he’s even more amazed to find that the panther can shift into human form.
The panther, Abrigo, is at first confused by his new surroundings but soon learns that he can trust Marco as his Alpha. But not all of the ship’s crew welcomes the new arrival, and when mutiny threatens, Abrigo must save the human he’s come to love.
Usually I enjoy Sean Michael’s stories, but this one irritated me from the first page. It’s just a personal preference but I hate any kind of accents—especially ‘arrrhh Jim lad’ pirate accents—in written form as it always comes across as either ridiculous or like bad POTC fanfic. There was also a lot of repetition, several typos, little explanation for any of the actions and the plot was trite and stereotyped. The historical and geographical details were so vague as to be nonexistent, which seems silly for a collection of historically themed stories. A disappointing 2 Flutes.
‘With Wings To Fly’ by Kara Larson
Cai and Artur are foster brothers whose lives change when Myrddin, a follower of ancient Druid lore, arrives to tutor the young Artur. Cai is jealous, and is forced to admit his feelings towards Artur. Their passion sparks a change in Cai, one that explains the dreams of flying he’s had since childhood.
Myrddin turns his attentions on Cai, encouraging him to learn more about his new abilities as a gyrfalcon. When Artur is seized by a rival clan as a political pawn, Cai is the only one who can rescue him…
An excellent, historically rich tale, this story will delight any fans of Celtic lore and Arthurian legend. After the disappointment of the first offering in the collection, it was a joy to read such a well-researched, plot-driven story with such strong characterisation for even the minor roles. I especially appreciated the explanation of how Cai became a falcon—even better, it was believable in the context of the story. I loved Cai’s reticence towards Druid lore and Myrddin’s dislike of Christianity. This is an intelligent, multi-layered story, and well recommended. A very impressive 5 Flutes.
‘Serpents’ by Naomi Brooks and Angelia Sparrow
Arqam, a young djinni from Arabia, is a curious creature. His curiosity leads him to wander through foreign lands to India, where he intervenes in a ritual to save a villager from becoming the sacrifice to a monster.
Rakesh, a naga (serpent deity), is the ‘monster’ who devours one human sacrifice a year. When he finds Arqam—a sacrifice he can’t eat—he’s intrigued and aroused. They become lovers, fascinated by their differences, but soon they’re forced to flee when Arqam’s vicious cousin Shahib causes trouble.
A lovely understated story that mixes the history of Colonial India with the mythologies of two different cultures. The prose is beautiful, languid and evocative, richly sensual, making this tale a joy to read. Arqam and Rakesh are fantastic characters—what a great idea to use mythological beings as shapeshifters rather than the usual human/shifter standard—and I’d love to see their story continue. An enjoyable 4 Flutes.
‘A Matter of Choice’ by Cat Kane
Richard, Lord Aysgarth, lives on the edge of the Yorkshire moors with his young lover Keir. A chance meeting in London and an attack by a pickpocket brought Keir close to death; to save him, Richard passed on his own supernatural gift. Now both men are werewolves, but Keir is headstrong and reckless, and the villagers have become suspicious. When Keir is seized by the village men, Richard is forced to make a terrible choice…
Another excellent story with a tense, almost Gothic plot. The historical setting is a little hazy—I couldn’t decide whether it was Regency or Victorian—but the writing was so strong and the plot so tight that it didn’t matter. You really get a sense of place and attitude with this one: the wilds of the moors and the freedom (and the restrictions) of life as a werewolf contrasted with the small-minded villagers and the tedious social whirl of London.
Richard and Keir are total opposites and must both learn to compromise in their relationship in order to survive. Cat Kane doesn’t shy away or sugarcoat the more primal aspects of being a werewolf—this is not a fluffy shifter tale. It’s strong, emotional, brutal and intelligent, a werewolf story first and a romance second. Some readers may be shocked by the twist—I saw it coming and still found it shocking, which is testament to Ms. Kane’s excellent writing. A superb 5 Flutes.
‘Snake Oil’ by BA Tortuga
Shapeshifter Haskell is enraged when a travelling circus comes to town. Amongst the collection of animals are several with the ability to shapeshift—including Haskell’s mate Truett, who was captured several seasons ago. Haskell goes to see the animals ‘perform’—shift into their human shape—and learns from their ‘owner’, Dr Diavolo, how the animals are kept beaten, starving and drugged.
Haskell frees the animals and they run back to the wild. But Truett doesn’t recognise his mate. When the circus men hunt them down, Haskell and Truett must stand together to fight for their freedom—and for their love.
While I liked the premise of this story, I found the presentation strangely lacking and often frustrating. Like Sean Michael’s story, this one seemed rather stereotyped and two-dimensional in terms of both plot and characters. Again there was no real attempt at grounding the story in a historical period—it could be a contemporary, the setting is so vague. The style, with its very short, simple sentences, came as a shock after the three previous stories. The similarities in style to Sean Michael’s story are so strong that I wonder if Michaels and Tortuga are the same person. However, I liked Tortuga’s premise more, which just lifts it to a middling 3 Flutes.
Summary
By turns disappointing and exquisite, Shifting Back showcases a diverse range of historical periods, moods and talent. Torquere regulars Michael and Tortuga open and close this anthology, but their stories (for me) were the weakest of the lot. It’s in the middle three stories, by Larson, Brooks and Sparrow, and Kane that this collection really shines. Unique voices, strong storytelling, intelligent and layered, these three stories really stood out as fine examples of m/m fiction.
The overall score is 3.8, rounded up to 4 Flutes.