REVIEWED BY:

SCORE:

Author: Sela Carsen
Publisher: Forbidden Publications
ISBN: N/A
Genre: Erotic Historical Romance
Length: Short Story
REVIEW:
Set in Venice, 1528, we are transported to the interior of a brothel. A young woman, Nerina, is rebuffing gentleman after gentleman and draws the attention of Domenico Venieri. She’s not particularly beautiful, but there is something about her that makes her unique.
Nerina doesn’t want to be a courtesan, but with her family dead or unable to help her, her options are to “earn” her living or starve. Sensible girl that she is, she chooses to “earn” her living. Or thinks she can do it, but she can’t. When a particularly disgusting patron pushes her, she slaps him and makes an enemy.
Domenico saves Nerina from the powerful patron, but he has his own reasons for helping her, and it’s not just to get into her drawers. The rest, you will have to read to find out. I will not ruin it for you.
Sela Carsen has a very distinct voice, is excellent at creating atmosphere, mood and characters, and obviously has done her research. I like the fact that Nerina wasn’t drop dead gorgeous, was intelligent, and resourceful. I also really like that Domenico showed enough respect for Nerina that he didn’t force her into doing something she didn’t want to do. He was a bit of a pig, but considering the time period this is set, he wouldn’t fit in if he weren’t.
My favorite part of the book came when Nerina took out her stiletto and used it to obtain some information in a very enterprising fashion, much to Domenico’s surprise. Being the sadistic slut that I am, this particular scene made me grin. Nope. I will not reveal more. You will have to read it to find out. I also really enjoyed the scenes where they separate and then masturbate. Oh, that was priceless and unique. She refuses, he lets her go, then both take care of their needs. It made me laugh and cheer that Ms. Carsen wasn’t afraid to be different.
Now, I did have issues with the book. While Ms. Carsen obviously did her research, some of the dialogue didn’t work. I felt like I was listening to my teenage daughter talk to her friends and some of the scenes were over the top. For instance, not only did Nerina slap a man for kissing her, she threw wine in his face. This has been so done much in movies and other books that I shook my head. The slap was enough. The wine was, well, Hollywood.
I also had issues with Domenico and the first scene where he sees Nerina. Men are visual creatures… in the beginning. They look first then are attracted to the talk. However, I found it a bit unbelievable that he would automatically think she was something special. Nerina was nothing really special. Great boobs, great figure, great singer, but only pretty, not breathtaking, yet Domenico is thinking: “But this woman intrigued him for some reason. It wasn’t her beauty, strictly speaking, just some vague notion that she might…match him.” Later in the book, after they have had conversations and arguments, when he admits that she intrigues him, that is believable, but at this point? No. And especially not thinking about matching him. When you consider he is a very wealthy merchant and she is a penniless, wannabe prostitute, this just doesn’t fit with the time period. Class was a huge barrier in Renaissance Venice.
There was also an issue with POV switches in the middle of a scene. At times, this became confusing and I had to stop and go back to make sure I knew whose viewpoint I was in now.
While there are other things that bother me, there is only one more I will mention. One of my biggest pet peeves is when an author cops out on description: “Dressed in a doublet of midnight blue velvet trimmed in gold, he held himself with military bearing. He was large and muscular…” You get the picture. I don’t want a run down of what he looks like. I want to know how she perceives him, if she finds him attractive and why, not this analytical listing of “he was dressed in this, was large, was muscular”. Later on, she weaves description into the action very successfully from the POV of the heroine/hero, giving me a lot more information than the previous list, information that shows me what the characters are thinking, how the other affects them and so on.
Despite all of my issues, I did enjoy the story and I really waffled between giving this story three or four champagne flutes because I like the characters, I like the tale, and I like the mood of the piece. And I think Ms. Carsen has a unique voice and a great deal of talent. I think the issue here is that she didn’t have an editor to bring up some of the issues I mentioned, and many others that I didn’t. Do I think you’ll enjoy it? Yes, but because of the issues, I cannot give it a four.
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REVIEWED BY:

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REVIEW:
This little e-book gave me fits and I couldn’t decide on three or four flutes of champagne. I love historical romance, but this story has so many pros and cons that I finally had to open the PDF again and looked over The Virgin Courtesan a couple more times. The flaws kept jumping out at me and I decided to settle on three flutes. However, that’s not to say that Ms. Carsen’s material doesn’t have redeeming qualities—it does.
First, the good qualities.
I must say that I’m probably one of the pickiest reviewers online, so imagine my surprise when I started reading Ms. Carsen’s e-book and actually enjoyed the opening pages. There is much lovely description in the work and the setting is done well; I really saw, smelled, felt, and heard the various aspects of Venice described throughout the story. The heroine, Nerina, is fleshed out well and is both innocent and strong. Plus, I liked the glimpse into the historical side of prostitution and the fact that women often did not have a choice. Selling their bodies was a matter of survival.
The hero, Domenico, is likeable, sophisticated, and worldly, but he could have used a bit more character development beyond the stereotypical qualities.
The flaws of The Virgin Courtesan really jarred me out of a good read. The many POV switches in mid paragraph and even mid sentence had me sighing in frustration. Modern speech crept into the 16th century dialect and the characters’ thoughts. (This is one of the main errors many new historical fiction writers make.) Moreover, the fight scenes between Domenico and the villains are flat and uninteresting; Nerina’s knife play was more believable. She’s a wicked little minx with that blade!
Good fiction must show, not tell. I hate it when I read sentence after sentence of his vest was blue when the author could show me how the moonlight glimmered on his blue vest. A good editor would have caught this stuff. Lastly, despite the e-book’s nice qualities, I felt that all the highlights of a full-length novel had been condensed into a micro-short story. I wanted more…but alas, it just wasn’t there.
My favorite scene was the opening pages in the salon where Domenico watches Nerina and surveys all the courtesans in the room. The imagery, colors and atmosphere are very rich. My favorite line involved Giada, Nerina’s pet cat who had just watched a bloody fight from the safety of her high perch: She stopped to sniff at Terullio’s body, sneezed in disgust and leapt into Nerina’s arms. This gave me a chuckle because only a cat owner could describe one so well in so few words.
My opinion is one of many, dear author, but regardless of my views, I see a lot of talent in The Virgin Courtesan. I really wanted to give this work a four-flutes rating or better, but it truly does need more work to nudge it up there, so I’m sticking with three. If you ever decide to write a full-length novel and find a knowledgeable editor, I’d be happy to read more of your historical fiction in the future.